Baby D music video Let Me Be Your Fantasy

Baby D music video (Everybody's Got To Learn Sometime) I Need Your Loving

Baby D music video Take Me To Heaven

Baby D music video So Pure

Baby D music video Let Me Be Your Fantasy

Baby D music video Let Me Be Your Fantasy

Baby D music video Let Me Be Your Fantasy

Matt Caseli And Strobe Feat. Baby D music video Phantasy (Let Me Be Your Fantasy)

Baby D Feat. Bone Crusher And Dru music video It's Goin' Down

Baby D music video I'm Bout Money

Baby D music video Let Me Your Fantasy

Performance artist, songwriter, classically trained harpist, circus sideshow veteran, and transgender street legend Baby Dee was born in 1953 in Cleveland, OH. She spent ten years as music director and organist for a Catholic church in the Bronx before joining the circus as the bilateral hermaphrodite at Coney Island. This landed her a gig as the bandleader for performance art group the Bindlestiff Family Cirkus and a tour with the Kamikaze Freak Show in Europe. After moving back to New York City, she became a fixture in lower Manhattan with a street act on a high-rise tricycle with a concert harp. She recorded her first record, Little Window, on the Durtro label in 2000, a four-track EP in 2001, and her second full-length, the double-disc Love's Small Song, in 2002. Dee returned to Ohio during the latter record's recording, taking vows as a novitiate of the Little Sisters of Crabby Doom (a Cleveland-based order dedicated to the care of smelly old men), vows that she has since forsaken. For her third full-length recording, Dee recruited a typically eclectic army of fellow musicians, including Will Oldham, Andrew W.K., Robbie Lee, Max Moston (Antony and the Johnsons), Bill Breeze (Psychic TV), John Contreras (Current 93), James Lo (Chavez), and Lia Kessel. The resulting Safe Inside the Day arrived in January 2008 on Drag City Records. In 2010, Dee released A Book of Songs for Anne Marie, a lovingly detailed and orchestrated collection of harp and piano-based ballads. It was followed in 2011 by the Andrew W.K.-produced Regifted Light, which followed a similar course as its predecessor, though with a greater emphasis on instrumentals.

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